Apr 24, 2010


I received this image when our team was visiting Hani and Danielle's team on our last shooting days. Our teams were sharing vans and drivers and I remember our groups were processing the end of our respective trips in different ways: Kelly, Pete, and I were exhausted--further exacerbated with the bumpy ride to the outskirts of the city, and wondering what would happen to all the people we got to know. We arrived, pulled ourselves out of the van and stood in front of a block of makeshift shelters; our friends were working busily somewhere in that maze. These two fine gentlemen fought through the language barrier and led us to them.

This was shot at a wildlife sanctuary. You can't see it, but all the tourists with their prosumer cameras, pleated khakis, and carefully protected skin are straining to get a good look at the baby elephants. Michelle and I grew weary of the spectacle, and found that observing the fellow tourists was much more interesting. I love the posture of the woman at the center, carefully and politely trying to get around for a better view.

His name is Peru. His interest is comedy. He told us this on the first day, surrounded by his brothers and using English when we were advised that they would be too embarrassed to try. No excuses; play like a champion. That is correct.

I don't know what to say about this man toiling in the street as I never shook his hand and learned his name. I want to say that he's resilient and, here, fighting through the economic turmoil that Kenyans were struggling to endure. Perhaps he was a victim of the matatu* strike that was in place during our visit. (That, and the New Years holiday gave us clear streets in the heart of Nairobi for a few days.) The irony was, of course, that in their efforts to quell police harassment and unfair regulations, the working man couldn't get to work. The streets were lined with pedestrians in commute, having to leave home hours earlier, and returning home hours later. Resilience is a necessity.


*Matatu: minibus transportation. We couldn't find whether these were state regulated or not, but that's largely irrelevant. Policy enforcement was, as we saw, almost nonexistent. Some issues that were being contested were passenger limit and safety measures. Many Kenyans are unable to afford Matatu transportation; our driver was repeatedly hounded for a ride to the other side of town.

Apr 8, 2010

[Poetry] may make us from time to time a little more aware of the deeper, unarmed feelings which form the substratum of our being, to which we rarely penetrate; for our lives are mostly a constant evasion of ourselves, and an evasion of the visible and sensible world. But to say all this is only to say what you know already, if you have felt poetry and thought about your feelings.

-T. S. Eliot. The Use of Poetry and the Use of Criticism.

You say you lost your faith, but that's not where it's at; you have no faith to lose and you know it.

-Bob Dylan. Positively 4th Street.

Apr 1, 2010

Laura wishes to lie down, she is tired of her hairpins and the feel of her long tight sleeves, but she says to him, "Have you a new song for me this evening?" If he says yes, she asks him to sing it. If he says no, she remembers his favorite one, and asks him to sing it again.

-Katherine Anne Porter. Flowering Judas.

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